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LEADERS IN AMERICAN MODERNISM
LEADERS IN AMERICAN MODERNISM – All of the important movements in American art during the first half of the 20th century are represented in this exhibition that includes work by Marsden Hartley, Oscar Bluemner, Arthur Dove, Jackson Pollock, Alexander Calder and others. The art is installed in rooms reflecting gallery designs at various times in the 20th century. MODERN MEXICAN MASTERS
MODERN MEXICAN MASTERS – This colorful, exciting installation of the museum's 20th-century Mexican art collection reflects the vibrancy, beauty and mystery of Mexico. The Naples Museum of Art houses the largest collection of Mexican art in the Southeast, featuring works by David Alfaro Siqueiros, Diego Rivera, José Clemente Orozco and many others. Related lecture by Gregorio Luke on January 18. Catalogue available at the Museum Store:
SELECTIONS FROM THE NMA PERMANENT COLLECTION
Edward Weston, Nude,i> 1934, Gelatin silver print. Collection of the Naples Museum of Art. 2010.8. Gift of Wynnell and George Schrenk SELECTIONS FROM THE NMA PERMANENT COLLECTION – The Naples Museum of Art has a marvelous permanent collection that perfectly reflects the wide-ranging diversity of styles, mediums, techniques and subject matter that is found in the visual arts. Join us in "taking a stroll" through an extensive selection of paintings, prints, sculpture, graphics, photographs and mixed media works. Among the items exhibited will be nine new photographs recently added to the NMA collection, including works by Stieglitz, Strand, Bourke-White and Abbott. This exhibition is organized by the Patty & Jay Baker Naples Museum of Art MASTERS OF MINIATURETHE KUPJACK ROOMS AND KAYE COLLECTION
Some of the world’s most remarkable miniatures will be on display this season as part of the museum’s Masters of Miniature exhibition. Featured works in this fascinating collection of miniature rooms include the majestic Roman Triclinium, the Napoleonic Anteroom and the Louis XV Petit Salon. Other rooms include a delightful American Diner, c.1941 , Art Nouveau Shop, Chinese Laundry and Artists’ Garret. Many of these miniature environments were created by the late Eugene Kupjack, widely regarded as the pioneer in the field, and his son Henry. One of the highlights of the collection is the exquisite, incomparable miniature of Louis XV’s famous Bureau du Roi, created by Denis Hillman, the leading artist of Louis-period furniture. Masters of Miniature features some of the finest examples of this magical, increasingly popular art form, offering esoteric glimpses into faraway times and places. MASTERS OF MINIATURE THE KUPJACK ROOMS AND KAYE COLLECTION – FRIDAY, OCTOBER 2 THROUGH WEDNESDAY, JUNE 26, 2010 Above: (Detail) Henry Kupjack, Roman Triclinium, 1984, Mixed media, 31 x 30 x 40 inches. Collection of the Naples Museum of Art. 2002.10.007. Gift of Carole and Barry Kaye. Art Nouveau Shop is on loan courtesy of Mr. Henry Kupjack. Bureau du Roi is on loan courtesy of Ede & Ravenscroft Ltd. FRENCH PROTEST POSTERS FROM MAY 1968
French protest posters from the Naples Museum of Art Permanent Collection will be on exhibit in the Friends of Art Gallery at the Philharmonic Center for the Arts, from October 17-November 15, 2009. In May 1968, thousands of French university students took to the streets in nationwide demonstrations that often led to violent confrontations with the police. Workers joined the student protests, the worker strikes shutting down the economy and destabilizing the French government. What started as an expression of dissatisfaction with the university system led to a radical reassessment of almost every French institution. Nineteen sixty-eight was a year characterized by worldwide student protests against the Vietnam War, and an assortment of social and political issues. The May-June 1968 student protests in France were a significant event that mirrored the international sense of outrage with then-prevailing world conditions. One million posters like those included in this exhibition went up all over France. They were produced quickly, with cheap materials donated to students by printers who were on strike. They were designed primarily by a group of students called the People’s Studio; most of the artists were from the Paris School of Fine Arts. The posters were initially made to be sold as a form of fund-raising for the student movement. The artists quickly saw that their art was not a product, though, but a form of political action. None of the art work is attributed to a specific individual, the artists even rejecting the idea of the posters as art to be used for decorative purposes or as an historical document. Fortunately, these 24 examples of the posters survived to remind us that art is never produced in a vacuum, but is a reflection of the environment in which it is created.
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At top of page: Dale Chihuly Persian Ceiling, 2000 (detail). ©2000, Dale Chihuly
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